- Colour palette
- Deep crimson, ivory, and indigo as the primary triad. Warm gold and burnt orange as secondary accents. Brass and beaten copper as metal finishes. The palette is confident — these are not dusty heritage tones, they are full-strength colours used in considered proportion.
- Materials
- Carved jharokha-inspired niches and screens. Marble or inlay-pattern feature walls — not necessarily real marble inlay, but the pattern and visual language of pietra dura. Mirror work as a ceiling or niche detail. Hand-block printed textiles in deep tones. Brass and beaten copper in fixtures, handles, and decorative objects.
- Craft as architecture
- Craft is treated as a structural element, not a decorative addition. A carved timber screen is a room divider. A mirror-work ceiling panel defines a seating zone. A jharokha niche holds a lamp. The craft is doing spatial work, not sitting on a shelf.
- Scale and proportion
- This aesthetic works best in rooms with some scale — higher ceilings, larger floor areas. It can be adapted for standard Delhi flat proportions, but it requires discipline about which craft elements to include and at what scale.